Personally, Funeral Doom can easily provide an exceptional example of the
best Doom as a parent genre has to offer - on that same note, however, it can just
as easily taint that promise with perhaps some of the worst articles of music to have
ever surfaced. Enter Persistence In Mourning, whose first album Listless Acts Of
Attrition can safely fit into the category of the former through boundless experimentation
and the installation of progressiveness contrary to its minimalistic nature.
Compositional diversity is an unspoken undercurrent throughout Listless Acts Of Attrition,
with each piece seemingly an act unto itself yet somehow intimately connected with its grim host.
Very reminscent of Wormphlegm, Wraith Of The Ropes, and Skepticism, Persistence In Mourning
impart a cavernous cacophony of electronic chaos and Funeral doom, iced generously with obscure
samples and inhumanly processed vocals. An eerie sense of dread permeates the album, though
its chill ultimately proves far more vintage spookshow than legitimate evil.
Originality is fast becoming a rare commodity within Funeral Doom, as swarms of current
practioners offer little more than pale, reverb-soaked regurgitations of stale formulas and tired
cliches. How then has Persistence In Mourning managed to produce such a wildly inventive
initial offering in Listless Acts Of Attrition? Perhaps something decidely sinister lurks within
the water supply of Oklahoma City.
My criticisms of Listless Acts Of Attrition are highly paradoxical, as my perception of
the album's weaknesses also define my perception of the album's strengths. Some tracks suffer
from alternating bits of very sparse instrumentation, but it is this very minimalism that allows
the complete absorption of atmosphere, painting a far more vivid picture through imagery
than additional notes could have provided. I would have desired far more vocals than were
ultimately present, though its sporadic omission again made the material more easily digestible.
Truly a ceremony of opposites, though the focal point of atmosphere seems in reflection
far more than unintentional.
Almost as a nod to one of Death/Doom's eldest pioneers, My Dying Bride, Listless
Acts Of Attrition employs cover art by none other than Aaron Stainthorpe. I regard this
decision as a very tasteful one, and pays respect to the very roots of Death/Doom. Stainthorpe's
crimson landscape of bones, fangs, and organic obscurity is a rather fitting and portentious setting
for the album his vision represents. On an interesting note, Swamp Foetus Productions, the French label
supposedly releasing Listless Acts Of Attrition, seemingly disappeared after receiving the album's
first pressing, leading this reviewer to believe Persistence In Mourning was the victim of shady
business dealings. Mortuaire Records, a young American label, has decided to make the album
available to a more widespread audience.
In conclusion, Persistence In Mourning have gifted the Doom community with a highly
enjoyable and original album. Only time will tell if Listless Acts Of Attrition will prove to
be a classic within the Funeral Doom genre, becoming one of those highly sought after rarities
desired by collector and merchant alike. If it does, don't say you weren't warned. See you on
Ebay.
|
1. Hell (In A Very Small Place)
2. WormKing
3. ...This Failed Experiment
4. Triskaidekaphobia
5. En Stille Död
6. 7 Crowns, 10 Heads
Approx. 25 minutes
|