Witchsorrow's latest full-length is a picture-perfect distillation of what the Heavy Metal/Doom crossover ought to look like.
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This Croatian three-piece played a kind of depressed traditional doom metal. On one hand the music can be compared to the über-slow oldschool loudness of bands ...
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Sweden - Active.
| Traditional Doom, Gothic/Doom Gloomy and mellow Doom Metal with sultry alto vocals. The first album, Shadowdance, is significantly heavier and colder than their later albums, perpetuating the atmosphere of "a fairytale gone wrong". Their second release, Fevered, introduces some tasteful Gothic elements, drenching their music in organs and bass-heavy riffs. Their third, and final, album, Light Shines Black, sees them going further into Gothic and Electronic territories, making for an interesting blend with their Doom Metal background. Altogether, their music could be seen as a doomier, female-fronted equivalent to Danzig or Type O Negative. |
| Dwell | 1992 | None | Demo |
| Falling | 1993 | None | Demo |
| Shadow Dance | 1994 | Massproduktion | Mcd |
| The Wounds of Bitterness | 1995 | None | Demo |
| Fevered | 1997 | Nuclear Blast | CD |
| Missionary Man | 1999 | Massproduktion | Single |
| Light Shines Black | 2001 | Massproduktion | CD |
| Shadowdance | 2003 | Massproduktion | Re-release |
| lefthandsolution@massproduktion.y.se |  |
| Shadow Dance (1994) |
| Fevered (1997) |
| Missionary Man (1999) |
| Light Shines Black (2001) |
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| After 'Shadow Dance' female vocalist K. Höijertz left and was replaced by M. Holmberg. K. Höijertz now provides the female vocals for a vamperic Black-metal band called Siebenbürgen. Also the earliest of demo 'Dwell' actually features not female but male vocals by one J. Fahlberg! |
