Who Dies In Siberian Slush follow up the reworking of their debut with another essential, and essentially Russian, full-length album.
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Relaxed and atmospheric doom metal with pianos and a Dolorian-like mixture of bright and raw guitars. Could also be described as spaced doom/black. For...
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Sweden - Status : unknown.
| Traditional Doom, Gothic/Doom Gloomy and mellow Doom Metal with sultry alto vocals. The first album, Shadowdance, is significantly heavier and colder than their later albums, perpetuating the atmosphere of "a fairytale gone wrong". Their second release, Fevered, introduces some tasteful Gothic elements, drenching their music in organs and bass-heavy riffs. Their third, and final, album, Light Shines Black, sees them going further into Gothic and Electronic territories, making for an interesting blend with their Doom Metal background. Altogether, their music could be seen as a doomier, female-fronted equivalent to Danzig or Type O Negative. |
| Dwell | 1992 | None | Demo |
| Falling | 1993 | None | Demo |
| Shadow Dance | 1994 | Massproduktion | Mcd |
| The Wounds of Bitterness | 1995 | None | Demo |
| Fevered | 1997 | Nuclear Blast | CD |
| Missionary Man | 1999 | Massproduktion | Single |
| Light Shines Black | 2001 | Massproduktion | CD |
| Shadowdance | 2003 | Massproduktion | Re-release |
Website |  |
| Shadow Dance (1994) |
| Fevered (1997) |
| Missionary Man (1999) |
| Light Shines Black (2001) |
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| After 'Shadow Dance' female vocalist Kicki Höijertz left and was
replaced by Mariana Holmberg (later Frykman). Höijertz now provides the female vocals for a vampyric
Black-metal band called Siebenbürgen. The earliest demo 'Dwell' had male vocals provided by bassist Jörgen Fahlberg. |
